The Rumba Kings, or, If I were a Filmmaker

For a long time, I’ve had dreams of being a filmmaker. High on my list would be a film about the history of Congolese popular music, including interviews with musicians. Something like the audio/visual version of Gary Stewart’s encyclopedic book, Rumba on the River.

So I was beyond ecstatic to learn recently that a film is in the works! And not only that, but it features some of my absolute favorites, including OK Jazz, Verckys, and Simaro, whose work you can hear on past (and future!) episodes of Cavacha Express!

See the clip below for a preview of The Rumba Kings, scheduled to be released in late 2018. Its director, Alan Brain Delgado, describes the golden age of Congolese music as “the real treasure of the Congo.” I hope you can see why!

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Soukous Par-tay

In my last post, I mentioned guitarist Beniko Popolipo’s cover band, Makutanu. They give an amazing performance in the clip below along with other Congolese music old-timers. I SO wish I could have been there!

The clip begins with one of my favorite songs by Madilu (“Si Je Savais Ça,” from Episode 12). They also cover one of my favorite Tabu Ley songs (around 14:00). One of my favorite OK Jazz songs (“Salima,” around 17:50). One of my favorite Zaïko songs (“Dede,” around 1:38:00). My beloved Josky from Episode 4  appears around 1:11:40.

AND I believe that’s OK Jazz’s guitarist Michelino in the background, along with a few others I should probably know.

I think this went down in Paris. Yet another reason to go back to Paris…

Beniko Popolipo, Guitar Legend

I was psyched to find the brief interview below of soukous guitar master Beniko, who I had the pleasure of sharing the stage with (!!!) a few years ago in Paris. In fact, you might be able to see that his t-shirt advertises Black Bazar, the band I saw him perform with, and whose song I featured on Episode 14: Congo Combo.

kimi dancing with black bazar

Showing my moves in Paris, 2012. Sadly, Beniko didn’t make it into the photo, but he was just at the side of the stage.

In the clip below, Beniko shares memories of Congolese music’s incessant band lineup changes and how he got his start. I know him best as the guitarist for my beloved Zaïko Langa Langa, so you can also hear his guitar skills on a few other episodes. Beniiiiiiko!

Interestingly, his band list drops off in the ’90s. He doesn’t mention Black Bazar but does reference his cover band, Makutanu, shown at the end of the clip doing a spot-on rendition of OK Jazz’s “Mamou.”

My only hope is that one day soon, one of these bands will make their way to NYC. Anybody out there listening? Anybody??? Sigh. It looks like I might need to get myself back to Paris, and pronto!

Les Mangelepa, Live!!, in …

I wish I could say NYC. Maybe someday. But for now, I’ll settle for “live in the studio, back in the day, on YouTube.” Here they perform one of my favorites, “Walter,” which I aired on Episode 7. See around 44:50.

And speaking of episodes, I can’t say just yet when I’ll broadcast again, but in the meantime, I’ll be posting Congolese videos I’ve discovered online. I hope you’ll come along for the ride!

xoxo,

kimi

Post …

Friends,

It’s been a long time. As I continue to finalize my novel, I haven’t been able to focus on CAVACHA EXPRESS! On top of it, life has felt like a cataclysm during these post-election days in my country.

Rest assured that Congolese music is always in my heart, mind, and ears. And my hope as of now is to start producing monthly shows again in January.

For now, I’m ecstatic to share with you the video clip below. On Episode 2: Yaka Tobina/Let’s Dance, I mentioned wanting to see the 1960s Kiri Kiri dance in action, and today I got my wish!

This SO brightened my day and momentarily took away my post-election blues, and I hope it lifts your spirits too.

In the meantime, if you’ve enjoyed the radio show and blog, feel free to drop me a line and say hello or mbote! I love hearing from all of you out there around the globe who have a soft spot for this music.

xoxoxo,

kimi

Franco was Here

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Nostrand Ave., Flatbush

In the early 1980s, not long before he would leave this earth, Franco set foot in Flatbush, Brooklyn. And this weekend, I was there.

I learned this amazing fact in the fall in NYC, when I visited the Pan African Space Station, a pop-up exhibition sponsored by the South Africa-based publication, Chimurenga. If this name sounds familiar, it’s because I made a post about them last September, when I lamented about not being able to go to their pop-up Congolese music performance in Paris.

Little was I to know in September that I was in for a treat here in NYC. Upon walking into the exhibition, the display of vinyls immediately caught my attention. I recognized many: they appeared in miniature in my IPod when I played my favorite Congolese songs.

I soon met the owners of this wonderful display: Roger and Rudy Francis, brothers who were instrumental in introducing Americans to music from the Congo, Nigeria, Cameroon, and elsewhere by producing records and operating a radio station and a store called the African Record Centre.

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Brooklyn’s gateway to African music

As I drooled over the vinyl display, squealing at each new record I saw, Roger and Rudy told me something that titillated me even more: Franco visited them. In Brooklyn. During my lifetime. Walking distance from my apartment!!!

I cursed the inventors of the world for not yet building a time machine. When I got over that, I did the next best thing:

I WALKED WHERE FRANCO WALKED

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Congolese music for sale in Brooklyn

And this weekend at the African Record Centre, I bought my first my first Congolese vinyl: a 1980 recording of OK Jazz’s hits. I don’t own a record player, and I already have the MP3 version, but I just had to, for sentimentality’s sake. It’s one of my favorites, and if the digital thumbprint image can put a smile on my face, imagine what this one does.

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kimi’s first Congolese record – in the flesh, that is

If you love African music and are ever in the Brooklyn area, a visit to the African Record Centre is a must! For more info, see here.

June 29: African Floor-Fillers, Part 1

Episode 15 of CAVACHA EXPRESS! will feature Congolese and other African songs that are staples at African parties, making dancers rush the floor.

Create a FREE account here to listen LIVE on Wednesday, June 29, 2016, 8:00 PM – 9:00 PM EST (New York City time zone).

Missed a previous episode? Listen HERE on YouTube!

Later,

Kimi K.

May 25: Congo Combo

Episode 14 of CAVACHA EXPRESS! will feature Congolese songs that have flirted with other music genres such as funk, salsa, and kompa, which inspired this episode’s title.

Create a FREE account here to listen LIVE on Wednesday, May 25, 2016, 8:00 PM – 9:00 PM EST (New York City time zone).

Missed a previous episode? Listen HERE on YouTube!

Later,

Kimi K.

Liner Notes: Episode 13: Something about Mady

Aired live April 27, 2016, and available here online

When I browse through my collection of Congolese music, I see that many individuals—real or otherwise—have inspired songs and their titles. Two of the most famous are probably OK Jazz’s Mario, and in the more recent years, Awilo Longomba’s Karolina.

There was also Kikam, Gaby, Doris, and Isabelle. Mimi, Lina, and Sandralina. Youyou, Sarah, and Samantha. The list goes on and on, including the anonymous Mama, Papa, and Chéri(e).

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Bimi Ombale, who sang to Sandralina, Madi, and more

But one muse reigns supreme in my collection, and her name is Madeleine. Only, she tends to go by Mady/Madi, Madia, or Mado. If you’ve been following Congolese music recently, this last name should be very familiar to you.

Fabregas le Métis Noir and crew doing the Ya Mado dance

And speaking of contemporary Congolese music, just this weekend, superstar and “king of Congolese rumba,” Papa Wemba, passed away. I don’t believe he ever recorded a song about Madeleine, but his influence on Congolese popular music, dance, and culture stretches to the present day, including probably the latest song about Madeleine.

The title of tonight’s episode, “Something about Mady,” references the ‘90s movie, There’s Something about Mary, where several men compete for the attention of you-can-guess-who. I’m not sure why so many Congolese singers devoted songs to Mady. Perhaps it’s just a popular name in the Congo. Or perhaps gals named Mady have a way of making themselves popular. In fact, I’ve already played two songs dedicated to Mado, on the first episode: one by African Jazz and another by OK Jazz.

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Dizzy Mandjèkou

First up is “Mady Motema” by Dizzy Mandjèkou, who delivers some sweet lyrics in both French and Lingala. Ma belle rose, zalaka sincère; noki nakoboma nzoto—my beautiful rose, be sincere with me, or I’m gonna off myself, Mady.


Next we have another singer whose voice I adore, Nyboma Mwandido. I might be cheating with this song because the title is “Madiana,” and I’m not sure if that’s a nickname for Madeleine. But the shoe almost fits and I love the song. Reviennes-moi; zongisa motema sima—come back to me; give my heart back, Madiana.

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Tabu Ley, who sang to Sarah, Hortense, Madia, and more

In last month’s episode I joked about how I tend not to understand Tabu Ley’s poetic lyrics, but this song I do understand [“Madia”] and it’s one of my favorites by him. Naloba te; nakotala se yo—I won’t even have to speak; I’ll just look at you, Madia.

For more of Kimi’s attempts at translating French and Lingala lyrics in this episode, listen here online.

Episode 13 Tracks:
Mady Motema – Dizzy Mandjèkou
Madi – Bimi Ombale
Madiana – Nyboma & Kamalé Dynamique
Mado Ya Sango – OK Jazz
Mado – Les Grands Maquisards
Madia – Tabu Ley
Mascara (“Ya Mado”) – Fabregas Le Métis Noir

NYC: dancing with Diblo & Papa Wemba tributes

One might think anything can be found in New York City. But some things—curiously, things I seem to rave about, like Cuban salsa and Congolese music—are too niche for NYC, it seems. So when I learned last-minute that soukous legend Diblo Dibala was in town this weekend, I rushed out to see him.

Most of my favorite Congolese musicians are no longer with us, so it was such a treat to see not only Diblo but N’Gouma Lokito of Soukous Stars fame, who joined Diblo in a rendition of one of my fav’s by Pepe Kalle (RIP), “Pon Moun Paka Bougé.”

Diblo performing Saturday night at Club Bonafide, NYC

Diblo performing Saturday night at Club Bonafide, NYC

The venue, Club Bonafide, unfortunately had little space for dancing (??!! a Congolese concert is not—I repeat, NOT—a sit-down event!!). But as I mentioned to my table-mates: there’s always the stage. And yours truly ended up there, along with several other overjoyed audience members.

The same venue is hosting a tribute concert to Papa Wemba tomorrow night, Tuesday, May 2. It’s too close to my bedtime, so I’ll be dancing with them in my dreams. BUT I’m so happy that there are Congolese dance classes every Saturday & Sunday this month in NYC, taught by Andoche Loubaki.

AND!! another Papa Wemba tribute concert is scheduled for later this month at Shrine, courtesy of the very talented Nkumu Katalay.